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Old French · AI translation

Anseïs de Metz (U)

English for the 1 passage of this work that the Atlas of Ancient Myth, Magic in the Ancient Texts and a study of demons and angels quote or cite, and which the library holds in no published English. The numbers are the edition's own references.

33r.299–33r.349

33r.299

ꝯbıen ıl ſont en la loꝛ ꝯpagnı́e

how many they are in their company.

33r.300

A

Afterwards

33r.301

pꝛeſ l apͥſt le cl͛rc auſtrologıe

the clerk taught him astrology.

33r.302

Ce eſt .ı. art quı́ mout eſt couoıtıe

This is an art that is much coveted;

33r.303

Qͥ le ſaroıt mout lı pleroıt ſa uıe

whoever knew it, his life would greatly please him,

33r.304

⁊ ſı aroıt honoꝛ ⁊ manantı́e

and he would have honour and wealth,

33r.305

⁊ grant auoı́r ⁊ mout grant ſegnoꝛıe

and great possessions and very great lordship.

33r.306

Jl ſaroıt bñ ꝯ fet en romanı́e

He would know well how things go in Romania,

33r.307

⁊ q̃ on faıt ꝺela en paıenı́e

and what is done over there in heathen lands,

33r.308

Ov par ꝺeca en france la garnı́e

or over here in France the well-provided,

33r.309

Ov tot partot le mõꝺe qͥ toꝛnı́e

or anywhere in the whole world that turns.

33r.310

Par ıceſt art fu Joſeph treſtot ſı́re

By this art Joseph was wholly lord

33r.311

Ꝺe pharaon ⁊ ꝺe ſa ꝯpagnı́e

over Pharaoh and over his company.

33r.312

Qͥ ſet ceſ art ne vos enqͥer mẽtır

Whoever knows this art, I will not lie to you,

33r.313

Jl ſet mout bñ q̃ eſt a ꝺeuenı́r

knows very well what is to come.

33r.314

Se ıl vaoıt .ıı. chãpıonſ venır

If he saw two champions come

33r.315

Qͥ en .ı. champ ꝺeuſſent eſcremı́r

who were to fight in a field,

33r.316

Jl ſauroıt bıen lıq̃l ꝺeuroıt venqͥr

he would know well which of them was to win.

33r.317

Lı ſınatoꝛ ꝺe rome ſanſ mẽtır

The senators of Rome, without a lie,

33r.318

Par ıceſt art ꝯceıllıerent ıaꝺıs

took counsel by this art in former days

33r.319

Ꝺeſ foꝛs bataılles ⁊ ꝺeſ peſanſ huſtıns

about hard battles and heavy fights;

33r.320

tout bıen ſaroıt qͥ en aroıt le pı́s

they would know full well who would get the worst of it.

33r.321

Ꝑ ıceſt art ſoꝛent ıe vos pleuıs

By this art, I assure you, there knew

33r.322

tvıt lı troı roı q̃ fu neʒ ıhũ crıſt

all the three kings that Jesus Christ was born,

33r.323

Sı le reqͥſtret ꝺ eſtranges paıʒ

and they sought him out from foreign lands,

33r.324

⁊ par l eſtoıle qͥ aꝑut auſı

and also by the star that appeared.

33r.325

Ꝺe ceſ .vıı. ars q̃ ıe ſı vos ꝺeuıs

Of these seven arts that I am describing to you

33r.326

Lut ıl en lıure treſtot ıel vos pleuı́s

he read in a book, every one, I assure you;

33r.327

a nıgromance au ꝺeraın le mıſt

at the last he set him to necromancy.

33r.328

Ce eſt .vn. art ꝺeſ vı. le pl⁹ haı́s

That is an art, the most hated of the six,

33r.329

Q̃r lı ꝺeableſ en eſt tot poſteıs

for the devil is wholly master of it.

33r.330

Qͥ ꝺ eſt art apꝛent ıel vos pleuıs

Whoever learns this art, I assure you,

33r.331

N eſt mıe mout ꝺu ꝺeable haıs

is not much hated by the devil.

33r.332

Par ıceſt art ſoıt l en leſ larecıns

By this art one knows of the thefts

33r.333

Qͤ larons font ⁊ ꝑ nuıt ⁊ par ꝺı́s

that thieves commit, both by night and by day,

33r.334

⁊ ſ en ſet on lef abaıʒ ꝺeſ maſtı́ns

and from it one knows the barking of the mastiffs.

33r.335

Jl n eſt v mont oıſıau tant ſoıt petıt

There is no bird in the world, however small,

33r.336

ne tant ſoıt grant m͛uelloʒ ne foꝛnı́s

nor however great, marvellous or stout,

33r.337

Qͥl ne ſeuſt ſa raıſon ⁊ ſeſ ꝺı́s

whose speech and sayings he would not know.

33r.338

De luı meıſme faıt bıen vne ꝑtrıs

He can well make a partridge of himself,

33r.339

Ov .ı. eſtoꝛ fauꝯ ou eſm͛ıs

or a goshawk, a falcon or a merlin;

33r.340

De .ıı. toꝛchaſ faıt ıl .ıı. foꝛs roncı́s

of two wisps of straw he makes two strong packhorses.

33r.341

Ja ne ſeroıt en ſı foꝛt pͥſon mı́s

He could never be put in so strong a prison

33r.342

Qͥl n ẽ ıſſıſt aıns qͥl fuſt mıeꝺı́s

that he would not get out of it before it was midday.

33r.343

Ceus ꝺe laıenſ aroıt en .ı. ıoꝛ pͥs

He would have taken those inside in a single day

33r.344

⁊ tot ꝺeſtruıt le paıſ ⁊ bꝛuı

and destroyed and burned the whole country,

33r.345

⁊ ſ ıl voloıent toʒ leſ pꝛenꝺꝛoıent vı́s

and if they wished they would take them all alive;

33r.346

Ja n en ſeroıt nıſ .ı. tot ſol malmı́s

not a single one of them would be harmed,

33r.347

ne n ı́ aroı́t mellee nı eſtrıf

nor would there be any fighting or strife.

33r.348

Mout aꝺeſens ce lı ꝺıt amaurı́s

“He has great wisdom,” Amauri says to him,

33r.349

Pleuſt a ꝺıeu le roı ꝺe paraꝺı́s

“may it please God, the king of paradise,

Translator's note. Line 300 holds only the decorated initial A of Apres, which the transcription sets on a line of its own; 'Afterwards' is given there. Line 301: le clerc is taken as the subject despite its oblique form, as the case system breaks down in this manuscript, with l' as the pupil. Line 306: Romanie, the Roman (Byzantine) empire or the Romance-speaking lands. Line 327: le mist, 'set him (or it) to necromancy'; subject and object unclear. Line 328: 'of the six', though line 325 speaks of seven arts. Line 345: the plural 'they' is as written. Line 348: adesens read as a de sens.

The whole original: Geste on GitHub.