Old French · AI translation
Anseïs de Metz (U)
English for the 1 passage of this work that the Atlas of Ancient Myth, Magic in the Ancient Texts and a study of demons and angels quote or cite, and which the library holds in no published English. The numbers are the edition's own references.
33r.299–33r.349
ꝯbıen ıl ſont en la loꝛ ꝯpagnı́e
how many they are in their company.
A
Afterwards
pꝛeſ l apͥſt le cl͛rc auſtrologıe
the clerk taught him astrology.
Ce eſt .ı. art quı́ mout eſt couoıtıe
This is an art that is much coveted;
Qͥ le ſaroıt mout lı pleroıt ſa uıe
whoever knew it, his life would greatly please him,
⁊ ſı aroıt honoꝛ ⁊ manantı́e
and he would have honour and wealth,
⁊ grant auoı́r ⁊ mout grant ſegnoꝛıe
and great possessions and very great lordship.
Jl ſaroıt bñ ꝯ fet en romanı́e
He would know well how things go in Romania,
⁊ q̃ on faıt ꝺela en paıenı́e
and what is done over there in heathen lands,
Ov par ꝺeca en france la garnı́e
or over here in France the well-provided,
Ov tot partot le mõꝺe qͥ toꝛnı́e
or anywhere in the whole world that turns.
Par ıceſt art fu Joſeph treſtot ſı́re
By this art Joseph was wholly lord
Ꝺe pharaon ⁊ ꝺe ſa ꝯpagnı́e
over Pharaoh and over his company.
Qͥ ſet ceſ art ne vos enqͥer mẽtır
Whoever knows this art, I will not lie to you,
Jl ſet mout bñ q̃ eſt a ꝺeuenı́r
knows very well what is to come.
Se ıl vaoıt .ıı. chãpıonſ venır
If he saw two champions come
Qͥ en .ı. champ ꝺeuſſent eſcremı́r
who were to fight in a field,
Jl ſauroıt bıen lıq̃l ꝺeuroıt venqͥr
he would know well which of them was to win.
Lı ſınatoꝛ ꝺe rome ſanſ mẽtır
The senators of Rome, without a lie,
Par ıceſt art ꝯceıllıerent ıaꝺıs
took counsel by this art in former days
Ꝺeſ foꝛs bataılles ⁊ ꝺeſ peſanſ huſtıns
about hard battles and heavy fights;
tout bıen ſaroıt qͥ en aroıt le pı́s
they would know full well who would get the worst of it.
Ꝑ ıceſt art ſoꝛent ıe vos pleuıs
By this art, I assure you, there knew
tvıt lı troı roı q̃ fu neʒ ıhũ crıſt
all the three kings that Jesus Christ was born,
Sı le reqͥſtret ꝺ eſtranges paıʒ
and they sought him out from foreign lands,
⁊ par l eſtoıle qͥ aꝑut auſı
and also by the star that appeared.
Ꝺe ceſ .vıı. ars q̃ ıe ſı vos ꝺeuıs
Of these seven arts that I am describing to you
Lut ıl en lıure treſtot ıel vos pleuı́s
he read in a book, every one, I assure you;
a nıgromance au ꝺeraın le mıſt
at the last he set him to necromancy.
Ce eſt .vn. art ꝺeſ vı. le pl⁹ haı́s
That is an art, the most hated of the six,
Q̃r lı ꝺeableſ en eſt tot poſteıs
for the devil is wholly master of it.
Qͥ ꝺ eſt art apꝛent ıel vos pleuıs
Whoever learns this art, I assure you,
N eſt mıe mout ꝺu ꝺeable haıs
is not much hated by the devil.
Par ıceſt art ſoıt l en leſ larecıns
By this art one knows of the thefts
Qͤ larons font ⁊ ꝑ nuıt ⁊ par ꝺı́s
that thieves commit, both by night and by day,
⁊ ſ en ſet on lef abaıʒ ꝺeſ maſtı́ns
and from it one knows the barking of the mastiffs.
Jl n eſt v mont oıſıau tant ſoıt petıt
There is no bird in the world, however small,
ne tant ſoıt grant m͛uelloʒ ne foꝛnı́s
nor however great, marvellous or stout,
Qͥl ne ſeuſt ſa raıſon ⁊ ſeſ ꝺı́s
whose speech and sayings he would not know.
De luı meıſme faıt bıen vne ꝑtrıs
He can well make a partridge of himself,
Ov .ı. eſtoꝛ fauꝯ ou eſm͛ıs
or a goshawk, a falcon or a merlin;
De .ıı. toꝛchaſ faıt ıl .ıı. foꝛs roncı́s
of two wisps of straw he makes two strong packhorses.
Ja ne ſeroıt en ſı foꝛt pͥſon mı́s
He could never be put in so strong a prison
Qͥl n ẽ ıſſıſt aıns qͥl fuſt mıeꝺı́s
that he would not get out of it before it was midday.
Ceus ꝺe laıenſ aroıt en .ı. ıoꝛ pͥs
He would have taken those inside in a single day
⁊ tot ꝺeſtruıt le paıſ ⁊ bꝛuı
and destroyed and burned the whole country,
⁊ ſ ıl voloıent toʒ leſ pꝛenꝺꝛoıent vı́s
and if they wished they would take them all alive;
Ja n en ſeroıt nıſ .ı. tot ſol malmı́s
not a single one of them would be harmed,
ne n ı́ aroı́t mellee nı eſtrıf
nor would there be any fighting or strife.
Mout aꝺeſens ce lı ꝺıt amaurı́s
“He has great wisdom,” Amauri says to him,
Pleuſt a ꝺıeu le roı ꝺe paraꝺı́s
“may it please God, the king of paradise,
Translator's note. Line 300 holds only the decorated initial A of Apres, which the transcription sets on a line of its own; 'Afterwards' is given there. Line 301: le clerc is taken as the subject despite its oblique form, as the case system breaks down in this manuscript, with l' as the pupil. Line 306: Romanie, the Roman (Byzantine) empire or the Romance-speaking lands. Line 327: le mist, 'set him (or it) to necromancy'; subject and object unclear. Line 328: 'of the six', though line 325 speaks of seven arts. Line 345: the plural 'they' is as written. Line 348: adesens read as a de sens.
The whole original: Geste on GitHub.